This international band consist of musicians from
Russia, Moldova and Lebanon and plays music inspired by traditions
of these countries, using acoustic instruments, such as violin,
accordion, cimbalom, tuba and percussion.
Dobranotch, an odd local folk band that blends Balkan folk, Klezmer
music and Arab rhythms, is a far cry from the Irish-folk trio that
it was when started out in the late 1990s. On its third album, "GAGARIN
CHOCHEK," the band documents its new style and lineup.
"We mix Moldovan and Balkan elements with Jewish and Oriental ones,"
said violinist Mitya Khramtsov, Dobranotch's sole original member.
The musical blend comes from the mix of people in the band that
now features Lebanese percussionist Ussama Shakhin, while the conservatory-educated
accordion player Andrei Sapkevich comes from Moldova, where his
father was a self-taught folk violinist, and played at Moldovan
weddings.
Khramtsov provides the Jewish musical influence in the band's unique
sound
"I was studying Klezmer from recordings and reading music, and
from people I met on tours in Europe and even more at KlezFest [the
annual local Klezmer festival and seminar] where musicians come
from everywhere and mix with locals," said Khramtsov, who is
half-Jewish.
"My family was not traditionally Jewish, though there was a certain
atmosphere. I've always been interested in the Jewish culture, and
even when we played Irish folk, we had one Jewish tune." Zheka
Lizin on cimbalom and Alexei Stepanov on tuba studied and performed
Klezmer in an amateur band at the Jewish Community Center.
"We try to learn from each other," said Khramtsov.
However, after over two years with Shakhin, Dobranotch has showed
some success in adapting broadly defined "Oriental" elements, and
even occasionally feature a belly dancer in its show.
Khramtsov started out in blues and rock bands as a university student.
In the mid-1990s he enjoyed a stint with Markscheider Kunst as a
harmonica player and played with other folk-rock acts in pubs. "It
was American-style folk rock, with songs in English," he said.
Dobranotch formed in 1997 in Nantes, France, where its would-be
members were "in search of Celtic music," as the band's official
biography puts it, but were actually busking. Khramtsov said he
went to Europe to avoid the army draft.
The members of the original band, Khramtsov, Oleg Drobinsky
and Stas Zubtsov, concentrated on Irish folk tunes.
"It's wrong to only reduce [going abroad to a matter of] earning
money - [the experience] also matters," said Khramtsov, whose
band is notorious for its lengthy European tours.
"Folk music implies communication. A rock musician might just
be inspired, compose a song and sing it, but in folk you should
join in with a traditional culture, and that mostly happens when
you are on the road."
The band recorded and self-released its debut CD, "Musique Russe
& Yiddish," in France in 1999.
"It had an immigrant touch; we were abroad, homesick," said Khramtsov.
"We played folk music from different countries and styles - Celtic,
French, whatever - but we decided to concentrate on one style, so
it was mostly Odessa-style Jewish urban-folk music."
For the second album, 2001's "Chtob Dusha Razvernulas" (Let the
Soul Unfold), the band, which then performed with a female singer,
Natalya Smirnovskaya, attempted to combine Russian folk songs and
Balkan-style instrumentation.
"It was an experiment," said Khramtsov. "I don't really
know what came out. Russian songs are so northern, while Balkan
music is so southern, we tried to bring them together."
Dobranotch mainly performs at underground rock clubs where its audience
frequently feels the urge to get up and dance."We like people to
dance; it feels like a wedding," said Khramtsov. "Even if we
try to play a slow number, it speeds up, all by itself... We just
want to play good, fun music."
Musicians:
Dmitry Khramtsov - fiddle, voice (Russia)
Andrey Sapkevich - button accordion (Moldova)
Jeka Lizin - cimbalom, big drum, screaming (Russia)
Ussama Shakhin - darbukka, daf (Lebanon)
Alexey Stepanov - tuba (Russia)
Reviews / Articles:
Wojciech
Ossowski / Heavy Motyl
Songlines,
UK (June 2006)
Sing
Out!, USA (Vol.50 #2)
Informator
"ARS"2 (numer 45)
www.world-music.cz
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